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Art experience

By: Contributor(s): Publication details: Indira Gandhi National Centre for the Arts : Manohar, New Delhi, 1997Description: xiii, 113 pages ; 23 cmISBN:
  • 9788173041808
Subject(s):
Contents:
1. Indian Aesthetics-1 2. What to expect of poetry? 3. Art contemplation 4. Art experience-1 5. Art experience-2 6. Indian Aesthetics-2 Introductory-Nature and Art-Art Experience-The Content of Art-The Method of Art-Art and Morality 7. Art and Morality 8. The number of Rasas 9. The problem of the Rasavadalamkara 10. Rasa and Dhvani 11. The philosophy of Aesthetics pleasure 12. Some concepts of Alamkara Literature 13. Sanskrit Poetics 14. Process and purpose in art 15. Experiences: first and final Hiriyanna: an appreciation by D. V. Gundappa
Summary: This carries 15 contributions on topics of Indian aesthetics. After a penetrating analysis of the fundamental concepts envisaged from a traditional point of view, Prof. Hiriyanna interprets them succinctly. He elucidates the theory of Rasa from the point of Sankhya in a masterly fashion; equally illuminating are the other essays on Rasa and Dhvani, and Sanskrit poetics.
List(s) this item appears in: New Arrival - 02 Jan. 2023
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Books Books Anant National University Central Library Design 111.850954 HIR (Browse shelf(Opens below)) Available 005415

1. Indian Aesthetics-1
2. What to expect of poetry?
3. Art contemplation
4. Art experience-1
5. Art experience-2
6. Indian Aesthetics-2
Introductory-Nature and Art-Art Experience-The Content of Art-The Method of Art-Art and Morality
7. Art and Morality
8. The number of Rasas
9. The problem of the Rasavadalamkara
10. Rasa and Dhvani
11. The philosophy of Aesthetics pleasure
12. Some concepts of Alamkara Literature
13. Sanskrit Poetics
14. Process and purpose in art
15. Experiences: first and final
Hiriyanna: an appreciation by D. V. Gundappa

This carries 15 contributions on topics of Indian aesthetics. After a penetrating analysis of the fundamental concepts envisaged from a traditional point of view, Prof. Hiriyanna interprets them succinctly. He elucidates the theory of Rasa from the point of Sankhya in a masterly fashion; equally illuminating are the other essays on Rasa and Dhvani, and Sanskrit poetics.

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